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  • MOTORHEAD – FIRST DECADE CD Brzi pogled
    • Fotografija artikla se može razlikovati od stvarnog stanja
      MOTORHEAD – FIRST DECADE CD Brzi pogled

    • MOTORHEAD – FIRST DECADE CD

    • 18,00 €
    • 1. Stay Clean 2. No Class 3. Damage Case 4. I'll Be Your Sister 5. Too Late, Too Late 6. (I Won't) Pay Your Price 7. Capricorn [Tracks 1-7 From The John Peel Sessions, BBC Radio 1, 18th September 1978] 8. All The Aces 9. Dead Men Tell No Tales 10. Iron Horse/Born To Lose 11. Capricorn 12. Train Kept A-Rollin' 13. Over The Top 14. Bomber [Tracks 8-14 From A Live FM Broadcast Recorded At Popmeeting Festival, Lochem, Netherlands, 15th May 1980] 15. Overkill 16. Nothing Up My Sleeve 17. Metropolis 18. Jailbait 19. Killed By Death 20. Ace Of Spades 21.Mean Machine [Tracks 15-21 From A Live FM Broadcast Recorded At Earthquake Festival, Kaatsheuvel, Netherlands, 1st April 1986]
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  • BATUSHKA – HOSPODI CD Brzi pogled
  • ACID KING – BEYOND VISION CD Brzi pogled
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      Nema na zalihi
      ACID KING – BEYOND VISION CD Brzi pogled

    • ACID KING – BEYOND VISION CD

    • 18,00 €
    • 1. One Light Second Away 06:11   instrumental
      2. Mind's Eye 07:12
      3. 90 Seconds 04:49
      4. Electro Magnetic 08:17   instrumental
      5. Destination Psych 01:37   instrumental
      6. Beyond Vision 06:06
      7. Color Trails 07:58   instrumental
      42:10
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  • DECAPITATED – NEGATION CD Brzi pogled
  • DECAPITATED – ORGANIC HALLUCINOSIS CD Brzi pogled
  • SWALLOW STEVE – WINTER SONGS CD Brzi pogled
  • ALESSI RALPH – SUN THAT NEVER SETS CD Brzi pogled
  • DUNI ELINA/ROB LUFT – REACHING FOR THE MOON CD Brzi pogled
  • GODRICK MICK/FRED HERSCH – FEEBLES, FABLES AND FERNS CD Brzi pogled
  • LOVANO JOE – PARAMOUNT QUARTET CD Brzi pogled
  • DUO GAZZANA – PROKOFIEV/PART/SCHNITTKE CD Brzi pogled
  • GOEBBELS HEINER – WALDEN CD Brzi pogled
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      GOEBBELS HEINER – WALDEN CD Brzi pogled

    • GOEBBELS HEINER – WALDEN CD

    • 19,00 €
    • "Walden consists of a series of musical sketches inspired by the 1854 novel of the same name by Henry David Thoreau", thus reads the short description of this project by Heiner Goebbels. But those familiar with the oeuvre of the German trans-media conceptualist and composer know that with Goebbels it's never quite that simple. In his 1998 creation Walden, composed for expanded orchestra with speaker, Goebbels incorporates a wide-flung stream of inspirations and approaches, spanning excerpts from Thoreau's "Walden", soundscape-design in the spirit of audio plays, arsenals of outlandish instruments and sonic layouts as much at home in the avantgarde as they borrow from popular music, all brought to life with Peter Eotvos conducting and Bob Rutman - a main figure in this project - in the role of the narrator. Rutman can also be heard in a more declamatory role, exclaiming with vehemence, sometimes singing in the khoomei technique, then becoming part of the orchestra playing the steel cello and bow chimes, both instruments of his own design.In his liner note, the composer explains how he initially envisioned this work as a "counterpoint to the urban imagery of Surrogate Cities (1994). Still, my view of Thoreau's text is far less idyllic, and my relationship to his notion of nature more distant than the original source might suggest. Walden, for me, is a piece about the tension between withdrawal and openness--between individual self-discovery and the constant presence of the outside world. It is not a romantic vision of nature, but rather a reflection on the conditions of our existence today." From trip-hop pastiches and mesmerizing ambient structures to imposing orchestral surges on the far-out edges of contemporary music making, Walden is a testament to the visionary ways of Heiner Goebbels, the composer, mid-career, and stands as one of the most innovative chapters of his body of work to come to light yet.
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