RONDEAU JEAN – LOIS CUPERIN: COMPLETE WORKS CD11

1.- Suite in D: I. Prelude, G. 1

2. Suite in D: II. Allemande, G. 35

3. Suite in D: III. Courante, G. 42

4. Suite in D: IV. Courante, G. 43

5. Suite in D: V. Sarabande, G. 49

6. Suite in D: VI. Canaries, G. 52

7. Suite in D: VII. Sarabande, G. 51

8. Suite in D: VIII. Chaconne la Complaignante, G. 57

9. Suite in D minor: II. Tombeau de Mézangeau (Transcription: Rondeau for harpsichord)

10.- Continued in: I. Prelude to the imitation of Froberger, G. 6

11.- Continued in: II. German, G. 100

12. Continued in: III. The Piedmontese Woman, G. 102

13.- Continued in: IV. Courante, G. 103

14.- Continued in: V. Sarabande, G. 109

15.- Continued in: VI. Courante la Mignone, G. 105

16.- Continued in: VII. Sarabande, G. 23

17.- Suite en fa: I. Prelude, G.

18. Suite in F: II. Allemande grave, G. 67

19. Suite in F: III. Courante, G. 69

20. Suite in F: IV. Branle de Basque, G. 73

21. Suite in F: V. Sarabande, G. 74

22. Suite in F: VI. Chaconne, G. 78

23.- Suite in F: VII. Tomb of Mr. de Blancrocher, G. 81

24. Prelude, OL 46 (Transcription: Rondeau for harpsichord)

25. Fantasy for Viols by Mr. Couperin

26. Fantasy for Viols by Mr. Couperin

27. Symphony by Mr. Couperin in D minor

28.- Volte, G. 53 (Transcr. Pierlot)

29.- Chaconne, G. 55 (Transcr. Pierlot)

30. Suite in B minor: I. Prelude (Transcription: Rondeau for harpsichord)

31. Suite in B: II. Allemande, G. 115

32.- Continuation in B: III. Courante, G. 116

33. Suite in B minor: IV. Sarabande, G. 117

34.- Pavanne, G. 120 (Transcr. Pierlot)

35. Symphony by Mr. Couperin in A minor

36.- La Piémontoise, G. 102 (Transcr. Pierlot)

37. Suite in G: I. Prelude, G. 4

38. Suite in G: II. Allemande, G. 82

39. Suite in G: III. Courante, G. 85

40. Suite in G: IV. Sarabande, G. 97

41. Suite in G: V. Passacaglia or Chaconne, G. 96

42. Fantasy

43. Another Fantasy

44.- Carillons, G. 141

45.- The Carillons of Paris, G. 140 (Four-part version of the 1st Carillon)

46. ​​Suite in F: I. Symphony by Mr. Couperin (Transcr. Pierlot)

47. Suite in F: II. Allemande, G. 66 (Transcr. Pierlot)

48. Suite in F: III. Courante, G. 69 (Transcr. Pierlot)

49.- Continuation in fact: IV. Sarabande, G. 74 (Transcr. Pierlot)

50. Suite in F: V. Tomb of Mr. de Blancrocher, G. 81 (Transcr. Pierlot)

51.- Suite en fa: I. Prelude, G.

52. Suite in F: II. Allemande, G. 66

53. Suite in F: III. Courante, G. 68

54.- Continuation in fact: IV. Sarabande , G. 72

55. Suite in F: V. Courante, G. 71

56. Suite in F: VI. Sarabande, G. 44

57. Suite in F: VII. Gigue, G. 76

58.- Suite as follows: VIII. Chaconne, G. 80

59.- Suite in F: IX. Tomb of Mr. de Blancrocher, G. 81

60.- Suite in C: I. Prelude, G. 128

61. Suite in C: II. Allemande la Precieuse, G. 30

62. Suite in C: III. Courante, G. 31

63. Suite in C: IV. Courante, G. 86

64. Suite in C: V. Sarabande, G. 32

65. Suite in C: VI. Sarabande, G. 24

66. Suite in C: VII. Gigue, G. 33

67. Suite in C: VIII. Chaconne la Bergeronnette, G. 34

68.- Continued in the: I. German (Oldham Manuscript)

69.- Continued in the second part (Oldham Manuscript)

70.- Continued in: III. Another Current (Oldham Manuscript)

71.- Continued in: IV. Sarabande, G. 109

72. Harpsichord Pieces: Suite No. 4 in D major: VIII. Tombeau de Mr. de Chambonnières (Very Slowly)

73.- Put on the Glorious Lingua

74.- Pavanne, G. 120 (Transcr. Rondeau for organ)

75.- Fugue, Olympics 62

76.- Paduan à 6 (Upsalla manuscript)

77.- Fantasy on the Cromhorne, OL 57

78.- Put the Lingua in basse, OL 34

79.- On the Night of the Last Supper

80.- Pange Lingua, OL 35

81.- Therefore, only the Sacrament

82.- Pange Lingua, OL 36

83.- Upside-Down Fugue, OL 60

84.- Duretez Fantasy, OL 1

85.- Ut Queant Laxis, OL 31

86.- Ut Queant Laxis, OL 32

87.- Fantasy, OL 70

88.- Invitation for Easter Day, OL 51

89.- At the Supper of the Lamb of Providence

90.- At the Supper of the Lamb of Providence, OL 54

91.- (At the Supper of the Lamb of Providence) 3rd Verse, OL 55

92.- Christ Rises from the Tomb

93.- We ask the Author of All

94. Suite in D minor: II. Tombeau de Mézengeau (Transcription by Pharo for viola da gamba and organ)

95.- Prelude, G. 7

96.- Toccata, FbWV 102 (Book of 1649)

97. Suite in D: I. Allemande, G. 35

98. Suite in D: II. Courante, G. 41

99.- Suite en ré: III. Sarabande, G. 45

100. Suite in D: IV. Volte, G. 53

101. Suite in D: V. Gigue, G. 122

102. Suite in D: VI. Sarabande in canon, G. 47

103. Suite in D: VII. Duretez Fantasy, OL 1 (Transcription: Rondeau for harpsichord)

104.- Suite in me: I. Prelude, G. 14

105.- Continued in middle: II. German Peace, G. 63

106.- Suite in E: III. Courante, G. 64

107.- Suite in E: IV. Courante, G. 92

108. Suite in E: V. Sarabande, G. 65

109.- Pavanne, G. 120

110.- Suite in C: I. Prelude, G. 9

111. Suite in C: II. Allemande, G. 15

112. Suite in C: III. Courante, G. 18

113. Suite in C: IV. Sarabande, G. 25

114. Suite in C: V. Courante, G. 19

115. Suite in C: VI. Sarabande, G. 22

116.- Suite in: VII. Passacelle, P. 27

117. Suite in G: Tomb of Mr. de Blancrocher (Transcription: Rondeau for harpsichord)

118.- Prelude (Krakow Manuscript)

119.- Duretez Fantasy, OL 1

120.- Fantasy, OL 2

121.- Fantasy, OL 12

122.- Duo, Olympics 14

123.- Fugue, Olympics 11

124.- Fantasy, OL 13

125.- Ave Maris Stella, OL 9

126.- Fantasy by Monsignor Couperin, OL 15

127.- Duo by Mons. Couperin, OL 16

128.- The Apostles Were Sad, OL 40

129.- Psalm 137 (Transcription: Rondeau for organ and viola da gamba)

130.- Psalm 138 (Transcription: Rondeau for organ and viola da gamba)

131.- Branle de Basque, G. 73 (Transcr. Rondeau for organ)

132.- Carillons, G. 139

133.- Fantasy, OL 25

134.- Fantasy, OL 27

135.- Fantasy, OL 21

136.- La Piémontoise, G. 102 (Transcr. Rondeau for organ)

137.- Fantasy, OL 23

138.- Fantasy, OL 22

139.- Fugue on the Cromhorne, OL 20

140.- Grave Fugue on “Urbs Beata Jerusalem”, OL 3

141. Another serious fugue on the same subject, “Urbs Beata Jerusalem”, OL 4

142.- Urbs Beata Jerusalem (In alto with the right thumb), OL 5

143.- Fugue, Olympics 17

144. Fugue (which must be played in a very slow tempo on the Tierce of the Grand Clavier with the tremulant), OL 29

145.- Conditor (alme siderum) in high countertenor with the right thumb, in trio, OL 6

146.- Conditor (alme siderum) in trio, Cantus à l’alto, OL 7

147.- Confectioner (in trio) with 2 above, OL 8

148.- Fantasy, OL 66

149.- Fantasy, OL 67

150.- Fantasy, OL 68

151.- Jesus, Savior of the World, OL 39

152.- Sarabande, G. 23 (Transcription: Rondeau for organ and viola da gamba)

153. Theorbo Pieces, Suite No. 10 in C minor: Allemande. The Lament or Tomb of the Maidens of Visée

154.- Suite in D: I. Prelude, G. 2

155. Suite in D: II. Allemande, G. 58

156. Suite in D: III. Courante, G. 59

157. Suite in D: V. Sarabande, G. 60

158. Suite in D: IV. Courante, G. 38

159. Suite in D: VI. Sarabande, G. 46

160. Suite in D: VII. Galliard, G. 61

161. Suite in D: VIII. Chaconne, G. 62

162.- Pavanne de Mons. Dumont (Bauyn Manuscript)

163.- Suite in D: I. Prelude

164. Suite in D: II. Allemande, G. 36

165. Suite in D: III. Pieces of three kinds of movements, G. 37

166. Suite in D: IV. Courante, G. 39

167. Suite in D: V. Courante, G. 40

168. Suite in D: VI. Sarabande, G. 48

169. Suite in D: VII. Sarabande, G. 56

170. Suite in D: VIII. Gavotte, G. 124

171. Suite in D: IX. Pastourelle, G. 54

172. Suite in D: X. Chaconne, G. 55

173.- Suite in C: I. Prelude, G. 11

174. Suite in C: II. Allemande, G. 15

175. Suite in C: III. Courante, G. 16

176. Suite in C: IV. Sarabande, G. 28

177. Suite in C: V. Rigaudon and double, G. 127

178. Suite in C: VI. Gavotte by Mr. Le Bègue and its Double by Mr. Couperin

179.- Tomb erected in Paris upon the death of Monsieur Blancheroche

180. Harpsichord Pieces, Book I: Pavanne

181.- Prelude, G. 3

182.- Passacaille, G. 98

183.- Suite in G: I. Prelude, G. 129

184. Suite in G: II. Allemande, G. 83

185. Suite in G: III. Courante, G. 84

186. Suite in G: IV. Sarabande, G. 87

187. Suite in G: V. Courante, G. 91

188. Suite in G: VI. Galliard, G. 88

189. Suite in G: VII. Chaconne, G. 89

190.- Prélude, OL 46

191.- Fantasy, OL 47

192.- Fantasy, OL 48

193.- Fantasy, OL 49

194.- Fugue, Olympics 18

195.- Fugue, Olympics 19

196.- Fantasy, OL 24

197.- Fantasy, OL 26

198.- Fugue, Olympics 28

199.- Fantasy, OL 30

200.- Suite in G: I. Prelude, G. 5

201. Suite in G: II. Allemande, G. 93

202. Suite in G: III. Courante, G. 94

203. Suite in G: IV. Allemande, G. 118

204. Suite in G: V. Courante, G. 90

205. Suite in G: VI. Sarabande, G. 95

206. Suite in G: VII. Chaconne, G. 121

207. Suite in D minor: II. Tombeau de Mézangeau (Transcr. Rondeau for harpsichord)

208.- Suite in the: I. Prelude, G. 7

209.- Continued in: II. German, G. 99

210.- Continued in: III. Courante, G. 104

211.- Continued in: IV. Courante, G. 106

212.- Continued in: V. Sarabande, G. 108

213.- Continued in: VI. Sarabande, G. 110

214.- Suite in A: VII. Minuet du Poitou and its Double, G. 111

215.- Suite in A: VIII. Gavotte by Mr. Hardel and its Double by Mr. Couperin, G. 125

216.- Suite in C: I. Prelude, G. 10

217. Suite in C: II. Le Moutier, Allemande by Mr. de Chambonnières and its Double by Mr. Couperin, G. 126

218. Suite in C: III. Courante, G. 17

219. Suite in C: IV. Sarabande, G. 20

220. Suite in C: V. Sarabande, G. 21

221. Suite in C: VI. Minuet, G. 29

222.- Suite en do: VII. Chaconne, G. 26

223. Suite in F: I. Allemande, G. 67

224. Suite in F: II. Courante, G. 70

225. Suite in F: III. Courante, G. 119

226.- Suite en fa: IV. Sarabande, G. 75

227. Suite in F: V. Sarabande, G. 50

228. Suite in F: VI. Galliard, G. 77

229. Suite in F: VII. Gigue, G. 79

230.- Suite of type: VIII. Chaconne (Language Manuscript)

231.- Suite in the: I. Prelude, G. 8

232.- Continued in: II. German amicable, G. 101

233.- Continued in: III. Courante, G. 112

234.- Continued in: IV. Sarabande, G. 113

235.- Continued in: V. Sarabande, G. 107

236.- Suite in A: VI. Gigue, G. 114

237.- Pavanne, G. 120 (Alternate Version)

238.- From the Sun’s Rising Card

239.- A Solis, OL 41

240.- Chaste Parent’s Viscera

241.- A Solis, OL 42

242.- She is a childless woman.

243.- A Solis, OL 43

244.- The Heavenly Choir Rejoices

245.- A Solis, OL 44

246.- A Solis, OL 45

247.- Fugue on the third of the Grand Clavier, OL 63

248.- Fugue, Olympics 61

249.- Iste Confessor, OL 33

250.- Fantasy, OL 59

251. Fantasy on Oboe Games

252.- Fantasy on the same game

253.- Fugue on the Cromhorne, OL 65

254.- Fugue on the third, OL 64

255.- Fantasy on the third of the Grand Clavier with the slow tremulant, OL 58

256.- Trinity Invitatory, OL 52

257.- Fantasy, OL 56

258.- Fantasy, OL 69

259.- Queen of Heaven, OL 50

260.- Queen of Heaven

261.- Invitatory of Corpus Christi, OL 53

262.- Allamanda (Suite XIII)

263.- Ave Maris Stella, OL 10

264.- Blessed is our Joy, OL 37

265.- Beata Nobis Gaudia Trio, OL 38

266.- Prélude, OL 46

267. Jean Rondeau plays Louis Couperin