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  • MASTER – SAINTS DISPELLED digi CD Brzi pogled
  • MASTER – MASTER CD Brzi pogled
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      MASTER – MASTER CD Brzi pogled
    • MASTER – MASTER CD

    • 13,00 
    • Master's first album was originally recorded in 1985 for Combat Recordings but eventually shelved. In 1990 the album was first recorded in Chicago (later released by Hammerheart Records) but Nuclear Blast didn't approve this recording and had the band record the album again at Morrisound Studios. As it turned out the third recording (which was eventually released as "Speckmann Project") was also not approved by Nuclear Blast and the Chicago recording was remixed instead by Scott Burns. The 2008 and 2011 CD and vinyl reissues both contain the original mix remastered.
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  • MASTER – LETS START THE WAR CD Brzi pogled
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      MASTER – LETS START THE WAR CD Brzi pogled
    • MASTER – LETS START THE WAR CD

    • 12,00 
    • Paul Speckmann played a key role in the Death Metal formative years, with bands like Terrorizer and Entombed acknowledging him and Master as a major influence. And both Master’s first effort and the one and only Deathstrike album could be considered classics even today, thanks to their intensity and to a simple but effective song writing style. Master have never played Death Metal in the pure sense of the term, rather a form of down tuned heavy Thrash, and this style is to be found again here. “Dictators” rekindle with the glorious Deathstrike days, while “Cast One Vote”, “American Freedom” and especially “Disturbed” clearly sound like classic Master tracks. Lyrically, Paul Speckmann continues with his anti-American crusade. “Let’s Start A War” is Master’s 5th album from 2002 and has turned out to be a solid and good-class disc containing guitar-heavy Death Metal that has a little more to offer besides aggressiveness. If you can’t imagine what that is, let me tell you that Master can best be described as a mixture between Crowbar and Bold Thrower. And the bottom line from the whole story? Death Metal isn’t reinvented here, but it still sounds good. And above all, the whole thing is memorable, even if you don’t make friends the first time you hear it.
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  • MASTER – FOUR MORE YEARS OF TEROR CD Brzi pogled
  • MASTER – FAITH IS IN SEASON CD Brzi pogled
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      MASTER – FAITH IS IN SEASON CD Brzi pogled
    • MASTER – FAITH IS IN SEASON CD

    • 13,00 
    • Since the dawn of human intellectualism, self-aware individuals have sought solitude. Paul Speckmann of Master finds his own solidarity in expressing apathy towards society. Lets acknowledge the introspective impact of Master's 1998 release "Faith is in Season." Crusty bass lines and tom-centric drumming push "Faith is in Season" forward with a reliable tempo, coupled with intermittent guitar leads and Speckmann's defiant screeches define Master's new production - consistent and comprehendible Death Metal. This is further polished with thoughtful song intros that highlight each individual member's musicianship. This foundation supports the guitar melodies and lyrical concepts. Compositionally, each instrument in Master is worth its own weight in gold while also not overshadowing each other. This is a self-evident testament to Speckmann's exemplary leadership because the band line-up on "Faith is in Season" was relatively brief. Similar to 1990's contemporaries like Vader or Obituary, Master solidified their craft with "Faith is in Season" and has since strayed minimally
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  • MASTER – COLLECTION OF SOULS CD Brzi pogled
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      MASTER – COLLECTION OF SOULS CD Brzi pogled
    • MASTER – COLLECTION OF SOULS CD

    • 13,00 
    • Death/Thrash Metal classic remastered! A strong Master album re-issued. After the great “On The Seventh Day God Created... Master”, Master returned in 1993 with a new effort entiled “Collection of Souls”, basically a bit more Thrash Metal in style. It is hard to find a band that started as a Death/Thrash one in a period of Thrash Metal and becomes Thrash in a period of Death Metal! Well, Master did it with this album. The tracks here, even if less Death Metal as on “On the Seventh Day God Created... Master”, are really enjoyable. The first thing you will notice is the production: a bit more clear and Thrashier. The guitars are not so tuned down anymore and the vocals are less growling. The opener “Constant Reminders” is still in old school style Death/Thrash; a song that could easily have fitted well in Master’s previous works with the fast bass drum and up tempo. Most songs that follow are Thrashier and even have a bit of punkier approach, going straigh ahead. A cool different song is the nice Thin Lizzy cover of “Jailbreak”, Master goes Hardrock. The super-fast “Silver Spoon” is once more a good piece of brutal Death/Thrash and a perfect track to end this album. “Collection of Souls” is an effort that is surely more Thrash Metal than Death Metal but with lots of enjoyable moments.
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  • MASTER – AN EPIPHANY OF HATE CD Brzi pogled
  • EVERGREY – THEORIES OF EMPTINESS digi CD Brzi pogled
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      EVERGREY – THEORIES OF EMPTINESS digi CD Brzi pogled
    • EVERGREY – THEORIES OF EMPTINESS digi CD

    • 26,00 
    • EVERGREY at its finest – the fourteenth studio album by Gothenburg’s pioneering masters of darkness! Without any doubt, the new album marks one of the most dynamic records the band has ever crafted throughout their impressive career. Theories Of Emptiness was produced by Tom S. Englund and Jonas Ekdahl, and was mixed by Adam "Nolly" Getgood (ex-Periphery), who worked closely with the band from the start - bringing out the vividness of the album’s overall sonic profile. Rounding out the album’s production, mastering was helmed by Thomas “Plec” Johansson (Soilwork, The Night Flight Orchestra, Onslaught, The Gems, Eleine and many more). “For us, progression is paramount”, states Tom S. Englund when discussing the eleven track opus, Theories of Emptiness. “We're dedicated to ensuring that our music remains innovative and avoids stagnation. With each album, we strive to introduce something new — a unique flavor, a different key or chord, fresh voices in our writing, or innovative production techniques.” In fact, no stone has been left unturned. Tracks are created to balance each-other mutually: from the aggressive tones of “Misfortune“ contrasting the light-hearted opening of “To Become Someone Else“, to the ballad “Ghost of My Hero“ leading into the furious riffs of “We Are The North“. Album opener “Falling From The Sun” (sequel to A Heartless Portrait (The Orphean Testament) track “Ominous”) and “Say“ interweave heaviness with mesmerizing keyboards and unpredictable instrumental parts, as also heard on “The Night Within“. On “Cold Dreams”, Englund’s distinctive voice is accompanied by Jonas Renkse of fellow Swedish metal icons Katatonia, splicing the song with a stellar performance that underlines another intense facet of the album. In addition, Englund’s daughter Salina provides lush backing vocals that enhance the song’s dynamics even more. Ending on a quiet note, Theories of Emptiness depicts exactly what emptiness is about, first with the immersive “Our Way Through Silence“, and then with “A Theory Of Emptiness” which, with timid piano, makes us rationalize our innermost feelings. Navigating realms of darkness and light, Theories of Emptiness takes listeners on a carefully balanced roller coaster ride - showcasing EVERGREY's ever-evolving sound in 2024 and beyond.
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  • DEAD HEAD – SHADOW SOUL CD Brzi pogled
  • AMEN CORNER -WRITTEN BY THE DEVIL  digi CD Brzi pogled
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      AMEN CORNER -WRITTEN BY THE DEVIL  digi CD Brzi pogled
    • AMEN CORNER -WRITTEN BY THE DEVIL digi CD

    • 20,00 
    • Amen Corner, one of Brazil’s Underground legends, is back! Old school in body, mind and spirit, this album tells us one thing:
      Death is imminent!
      Brazilian Black Metal legends Amen Corner, emerges from the shadows with their latest opus, “Written by the Devil.” In a world where time bends and eternity looms, this album serves as a chilling reminder: Death is an ever-present specter, stalking our very existence. With a legacy spanning over three decades, Amen Corner stands as a stalwart pillar of Brazil’s Black Metal scene.
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  • ACOD – VERSETS NOIRS CD Brzi pogled
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      ACOD – VERSETS NOIRS CD Brzi pogled
    • ACOD – VERSETS NOIRS CD

    • 20,00 
    • A new chapter has been written. The French ACOD is just returned from beyond to relate you their journey on the other side. Some stories must be told, some stories must be revealed, it is time to unveil : « VERSETS NOIRS » Hidden from everyone, a sorority of witches needs to find the chosen one in the afterlife. Now the day is slowly ending and the night will fall on humanity. They found him, but only one can change the course of history. Burdened with fear, borrowed from melancholy and Mediterranean melodies, your soul will travel to the heart of different eras, constantly crossing the path of witches. You will discover it through these four Black Death occult metal tracks that make up this cursed sixth album of ACOD. Trowned into the meanders, the brutality and the elevation will be draped with a black veil to leave no choice to the passenger of the afterlife. The cover track from Samael 'Black Trip' sublime it, summarizes by closing the doors of this opus.
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  • A-HA – MINOR EARTH/MAJOR SKY Brzi pogled
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      A-HA – MINOR EARTH/MAJOR SKY Brzi pogled
    • A-HA – MINOR EARTH/MAJOR SKY

    • 10,00 
    • After a seven-year absence during which the Norwegian pop trio went off to paint or record solo albums, A-Ha return with Minor Earth Major Sky, their sixth studio album. Recorded in New York over the course of a year, this one is filled with characteristically subtle melodies, sweeping pop production, and a haunting melancholy. Some tracks (like the winsome "Sun Never Shone That Day") border on the bland, but there are songs that have bite--such as the icy, William Orbit-style ballad "Little Black Heart"; the big, blowsy title track; and the satirical "The Company Man," where the band sing frankly of being ripped off by their record label ("Deals fell into our arms / And out of our hands"). There's also a nod to the Beatles' "Eleanor Rigby" in the epic, socially conscious ballad "Mary Ellen Makes the Moment Count."
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