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  • MASTER – LETS START THE WAR CD Brzi pogled
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      MASTER – LETS START THE WAR CD Brzi pogled
    • MASTER – LETS START THE WAR CD

    • 12,00 
    • Paul Speckmann played a key role in the Death Metal formative years, with bands like Terrorizer and Entombed acknowledging him and Master as a major influence. And both Master’s first effort and the one and only Deathstrike album could be considered classics even today, thanks to their intensity and to a simple but effective song writing style. Master have never played Death Metal in the pure sense of the term, rather a form of down tuned heavy Thrash, and this style is to be found again here. “Dictators” rekindle with the glorious Deathstrike days, while “Cast One Vote”, “American Freedom” and especially “Disturbed” clearly sound like classic Master tracks. Lyrically, Paul Speckmann continues with his anti-American crusade. “Let’s Start A War” is Master’s 5th album from 2002 and has turned out to be a solid and good-class disc containing guitar-heavy Death Metal that has a little more to offer besides aggressiveness. If you can’t imagine what that is, let me tell you that Master can best be described as a mixture between Crowbar and Bold Thrower. And the bottom line from the whole story? Death Metal isn’t reinvented here, but it still sounds good. And above all, the whole thing is memorable, even if you don’t make friends the first time you hear it.
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  • MASTER – FOUR MORE YEARS OF TEROR CD Brzi pogled
  • MASTER – FAITH IS IN SEASON CD Brzi pogled
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      MASTER – FAITH IS IN SEASON CD Brzi pogled
    • MASTER – FAITH IS IN SEASON CD

    • 13,00 
    • Since the dawn of human intellectualism, self-aware individuals have sought solitude. Paul Speckmann of Master finds his own solidarity in expressing apathy towards society. Lets acknowledge the introspective impact of Master's 1998 release "Faith is in Season." Crusty bass lines and tom-centric drumming push "Faith is in Season" forward with a reliable tempo, coupled with intermittent guitar leads and Speckmann's defiant screeches define Master's new production - consistent and comprehendible Death Metal. This is further polished with thoughtful song intros that highlight each individual member's musicianship. This foundation supports the guitar melodies and lyrical concepts. Compositionally, each instrument in Master is worth its own weight in gold while also not overshadowing each other. This is a self-evident testament to Speckmann's exemplary leadership because the band line-up on "Faith is in Season" was relatively brief. Similar to 1990's contemporaries like Vader or Obituary, Master solidified their craft with "Faith is in Season" and has since strayed minimally
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  • MASTER – COLLECTION OF SOULS CD Brzi pogled
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      MASTER – COLLECTION OF SOULS CD Brzi pogled
    • MASTER – COLLECTION OF SOULS CD

    • 13,00 
    • Death/Thrash Metal classic remastered! A strong Master album re-issued. After the great “On The Seventh Day God Created... Master”, Master returned in 1993 with a new effort entiled “Collection of Souls”, basically a bit more Thrash Metal in style. It is hard to find a band that started as a Death/Thrash one in a period of Thrash Metal and becomes Thrash in a period of Death Metal! Well, Master did it with this album. The tracks here, even if less Death Metal as on “On the Seventh Day God Created... Master”, are really enjoyable. The first thing you will notice is the production: a bit more clear and Thrashier. The guitars are not so tuned down anymore and the vocals are less growling. The opener “Constant Reminders” is still in old school style Death/Thrash; a song that could easily have fitted well in Master’s previous works with the fast bass drum and up tempo. Most songs that follow are Thrashier and even have a bit of punkier approach, going straigh ahead. A cool different song is the nice Thin Lizzy cover of “Jailbreak”, Master goes Hardrock. The super-fast “Silver Spoon” is once more a good piece of brutal Death/Thrash and a perfect track to end this album. “Collection of Souls” is an effort that is surely more Thrash Metal than Death Metal but with lots of enjoyable moments.
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  • MASTER – AN EPIPHANY OF HATE CD Brzi pogled
  • KRISTOFFERSON KRIS – THIS OLD ROAD LPKRISTOFFERSON KRIS – THIS OLD ROAD LP Brzi pogled
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      KRISTOFFERSON KRIS – THIS OLD ROAD LPKRISTOFFERSON KRIS – THIS OLD ROAD LP Brzi pogled
    • KRISTOFFERSON KRIS – THIS OLD ROAD LP

    • 42,00 
    • Kris Kristofferson has always identified himself first and foremost as a writer, and true writers know that what works best is giving a piece of themselves to the listener. With the release of This Old Road, Kristofferson lays a chunk of his own soul on every track. This beautifully sparse recording puts an emphasis on his fine lyrics and distinctive voice by featuring Kristofferson, his guitar, and harmonica. The album is so intimate it makes the listener feel as if they are sitting in Kristofferson's living room while he picks and sings just for them.
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  • FOGHAT – UNDER THE INFLUENCE LP Brzi pogled
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      FOGHAT – UNDER THE INFLUENCE LP Brzi pogled
    • FOGHAT – UNDER THE INFLUENCE LP

    • 47,00 
    • Iako je ostala na samo jednog originalnog člana (Roger Earl), grupa Foghat je smogla snage i nakon šest godina izdaje novi album “Under the Influence”. Bio je to nasljednik albuma “Last Train Home”, koji je izdan davne 2010. godine. Sam nastanak albuma nije protekao baš glatko, ali ipak, nakon tri godine je završen. Snimanje je počelo još 2013. godine. U studio je grupa ušla u novom sastavu, Roger Earl, Craig MacGregor, Charlie Huhn i Bryan Bassett. Povremeno se ekipi u studiju pridruživao i Buddy Guy, te Scott Holt, koji je uz sviranje gitare sudjelovao u projektu pišući kompozicije za album. Nije zanemarivo i to da je u studiju bio i Tom Hambridge, producent i kompozitor, dobitnik Grammy nagrade. Na albumu su se našle autorske kompozicije, ali i obrade koje su obilježile životni put grupe, bluesom obojene, boogie ritma i mnogo slide gitare, po čemu su uostalom i postali poznati. Na albumu je isto tako i nova obrada klasika banda, “Slow Ride”, koji bilježi 40 godina od svog nastanka.
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  • EVERGREY – THEORIES OF EMPTINESS LPEVERGREY – THEORIES OF EMPTINESS LP Brzi pogled
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      EVERGREY – THEORIES OF EMPTINESS LPEVERGREY – THEORIES OF EMPTINESS LP Brzi pogled
    • EVERGREY – THEORIES OF EMPTINESS LP

    • 37,00 
    • EVERGREY at its finest – the fourteenth studio album by Gothenburg’s pioneering masters of darkness! Without any doubt, the new album marks one of the most dynamic records the band has ever crafted throughout their impressive career. Theories Of Emptiness was produced by Tom S. Englund and Jonas Ekdahl, and was mixed by Adam "Nolly" Getgood (ex-Periphery), who worked closely with the band from the start - bringing out the vividness of the album’s overall sonic profile. Rounding out the album’s production, mastering was helmed by Thomas “Plec” Johansson (Soilwork, The Night Flight Orchestra, Onslaught, The Gems, Eleine and many more). “For us, progression is paramount”, states Tom S. Englund when discussing the eleven track opus, Theories of Emptiness. “We're dedicated to ensuring that our music remains innovative and avoids stagnation. With each album, we strive to introduce something new — a unique flavor, a different key or chord, fresh voices in our writing, or innovative production techniques.” In fact, no stone has been left unturned. Tracks are created to balance each-other mutually: from the aggressive tones of “Misfortune“ contrasting the light-hearted opening of “To Become Someone Else“, to the ballad “Ghost of My Hero“ leading into the furious riffs of “We Are The North“. Album opener “Falling From The Sun” (sequel to A Heartless Portrait (The Orphean Testament) track “Ominous”) and “Say“ interweave heaviness with mesmerizing keyboards and unpredictable instrumental parts, as also heard on “The Night Within“. On “Cold Dreams”, Englund’s distinctive voice is accompanied by Jonas Renkse of fellow Swedish metal icons Katatonia, splicing the song with a stellar performance that underlines another intense facet of the album. In addition, Englund’s daughter Salina provides lush backing vocals that enhance the song’s dynamics even more. Ending on a quiet note, Theories of Emptiness depicts exactly what emptiness is about, first with the immersive “Our Way Through Silence“, and then with “A Theory Of Emptiness” which, with timid piano, makes us rationalize our innermost feelings. Navigating realms of darkness and light, Theories of Emptiness takes listeners on a carefully balanced roller coaster ride - showcasing EVERGREY's ever-evolving sound in 2024 and beyond.
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  • EVERGREY – THEORIES OF EMPTINESS digi CD Brzi pogled
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      EVERGREY – THEORIES OF EMPTINESS digi CD Brzi pogled
    • EVERGREY – THEORIES OF EMPTINESS digi CD

    • 26,00 
    • EVERGREY at its finest – the fourteenth studio album by Gothenburg’s pioneering masters of darkness! Without any doubt, the new album marks one of the most dynamic records the band has ever crafted throughout their impressive career. Theories Of Emptiness was produced by Tom S. Englund and Jonas Ekdahl, and was mixed by Adam "Nolly" Getgood (ex-Periphery), who worked closely with the band from the start - bringing out the vividness of the album’s overall sonic profile. Rounding out the album’s production, mastering was helmed by Thomas “Plec” Johansson (Soilwork, The Night Flight Orchestra, Onslaught, The Gems, Eleine and many more). “For us, progression is paramount”, states Tom S. Englund when discussing the eleven track opus, Theories of Emptiness. “We're dedicated to ensuring that our music remains innovative and avoids stagnation. With each album, we strive to introduce something new — a unique flavor, a different key or chord, fresh voices in our writing, or innovative production techniques.” In fact, no stone has been left unturned. Tracks are created to balance each-other mutually: from the aggressive tones of “Misfortune“ contrasting the light-hearted opening of “To Become Someone Else“, to the ballad “Ghost of My Hero“ leading into the furious riffs of “We Are The North“. Album opener “Falling From The Sun” (sequel to A Heartless Portrait (The Orphean Testament) track “Ominous”) and “Say“ interweave heaviness with mesmerizing keyboards and unpredictable instrumental parts, as also heard on “The Night Within“. On “Cold Dreams”, Englund’s distinctive voice is accompanied by Jonas Renkse of fellow Swedish metal icons Katatonia, splicing the song with a stellar performance that underlines another intense facet of the album. In addition, Englund’s daughter Salina provides lush backing vocals that enhance the song’s dynamics even more. Ending on a quiet note, Theories of Emptiness depicts exactly what emptiness is about, first with the immersive “Our Way Through Silence“, and then with “A Theory Of Emptiness” which, with timid piano, makes us rationalize our innermost feelings. Navigating realms of darkness and light, Theories of Emptiness takes listeners on a carefully balanced roller coaster ride - showcasing EVERGREY's ever-evolving sound in 2024 and beyond.
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  • ELVELLON – ASCENDING SYNERGY LP Brzi pogled
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      ELVELLON – ASCENDING SYNERGY LP Brzi pogled
    • ELVELLON – ASCENDING SYNERGY LP

    • 29,00 
    • The album proves that this promising German unit is on top of their game and skillfully manages to balance the tightrope act between diving into the early beginnings of symphonic metal, reminiscent of old Nightwish, yet splicing all songs with a contemporary vibe. Opening track 'Unbound' impresses with skillful orchestral arrangements and vocalist Nele Messerschmidt's extraordinary voice. The following 'A Vagabond's Heart' features an exciting intro and one of the catchiest choruses on the album.
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  • DEAD HEAD – SHADOW SOUL CD Brzi pogled
  • BOWIE DAVID – SUE..10” Brzi pogled
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      BOWIE DAVID – SUE..10” Brzi pogled
    • BOWIE DAVID – SUE..10”

    • 109,00 
    • DAVID BOWIE Sue [Or In A Season Of Crime] (2014 UK limited edition 3-track 10" EP featuring the Full Length & Radio Edit of the track which was recorded specially for the 'Nothing Has Changed' compilation, with long-time collaborator Tony Visconti. Also includes the original version of Tis A Pity She Was A Whore, housed in a custom die-cut Parlophone company sleeve with lyrics
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