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  • VAN DER GRAAF GENERATION – LIVE AT ROCKPALAST LEVERKUSEN 2005 CD2D2VAN DER GRAAF GENERATION – LIVE AT ROCKPALAST LEVERKUSEN 2005 CD2D2 Brzi pogled
  • TOSCA – SHOPSCA CDTOSCA – SHOPSCA CD Brzi pogled
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      TOSCA – SHOPSCA CDTOSCA – SHOPSCA CD Brzi pogled
    • TOSCA – SHOPSCA CD

    • 22,00 
    • “With a career stretching across two decades, Tosca have a history to fall back on. Remarkably, though, the Viennese duo are busy producing some of the most remarkable, groundbreaking music of their career to date.” – CLASH (Dec 2014) Released late last year Tosca’s ‘Outta Here’ saw the duo of Richard Dorfmeister and Rupert Hubert rip up the rulebook and start again. Having spent two decades and seven albums practically defining downtempo, chill-out music here was an album with one thing on its mind, the dancefloor. Still some traditions are worth maintaining and so like with each of their previous albums the band now present ‘Shopska’, a reworked version of ‘Outta Here’ that puts each of the albums tracks into a radically new perspective from tough 3am Techno and bouncy Electronica through to spaced out Dub and beyond.
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  • THRESHOLD HOUSEBOYS CHOIR – AMULET CDVD Brzi pogled
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      THRESHOLD HOUSEBOYS CHOIR – AMULET CDVD Brzi pogled
    • THRESHOLD HOUSEBOYS CHOIR – AMULET CDVD

    • 45,00 
    • The music released as Amulet (or The Amulet Edition) is Peter "Sleazy" Christopherson's semi-secret testament. Originally available in exceedingly limited quantities at live shows and via direct mail-order in 2008 as a hand-assembled 4 miniCDR set housed in a circular Thai Amulet case and never properly distributed, the material finally receives the wider re-release on vinyl and CD it so richly deserves. Only the second and sadly already the final release in his post-Coil solo guise as The Threshold Houseboys Choir "Amulet" sees Christopherson in a more playful mood than ever, don't be fooled by reviews calling this suite of songs "incomplete" or "working stage", these are rough little diamonds, often imbued with a bittersweet melancholy joy, unsurprisingly reminiscent of some of the final Coil offerings, but additionally steeped in exotica, inspired by his new East Asian home and the ghostly voices of his digitally generated choir ("a vocalist that wouldn't crash", as he would say). At times these tracks sound like a warmer, less analytically complex counterpart to the work he created simultaneously with CoH's Ivan Pavlov in the celebrated Soisong project. Bonus tracks feature rare earlier THBC compilation tracks and a few previously unreleased exclusive sketches. Let's be perfectly clear though, "Amulet" is not some half-finished cutting-room floor left-overs, it's a genuine but very little heard fully fledged album released by Christopherson with some of the tracks performed live on his last ever tour, the unforgettable intimate Evenings with Uncle Sleaz. The Infinite Fog edition, presented as a 3LP in a triple heavy Gatefold sleeve and a 2CD Digipak, both including a poster of Peter Christopherson in his infamous Cruella Deville coat has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Oleg Galay overseen and with additional guidance from "our man in Thailand" Peter Jenx.
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  • ROACH STEVE – JOURNEY OF ONE CD Brzi pogled
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      ROACH STEVE – JOURNEY OF ONE CD Brzi pogled
    • ROACH STEVE – JOURNEY OF ONE CD

    • 23,00 
    • Journey of One is a pinnacle live performance captured during the zenith of Steve Roach’s rich tribal-ambient origins of the mid-1990′s. The music rises from the darkness, an ancient voice chants in serpentine ecstasy only to subside and hover next to silence, soon broken by raging hybrid trance grooves, didgeridoo and mind-altering soundscapes that mesh to form a soundtrack for a future-primal culture. Journey of One is an ascent into the mystical and primordial places Roach first developed on Dreamtime Return, Artifacts, Origins, World’s Edge and his Suspended Memories collaborations. This 2-CD set unfolds like the genesis of this influential sound. Roach meticulously, passionately utilizes the electro-acoustic nature that is the heart of this sound: earthy ferocity and multi-timbral frequencies drawn out to their fullest. This music shapeshifts between moods, always rushing forward engaging a range of electronic and acoustic tools: analog and digital synths, clay water pots percussion, butterfly cocoons and seed pod shakers, & ocarinas. The didgeridoos’s hoary human-vocal sonic quality and a tumbling avalanche of hand-struck percussion further illustrate the tribalistic canvas. “Roach conjures up stirring, metaphysical sounds and deeply inventive events from his electro-acoustic arsenal. It’s an exploration of worlds simultaneously ancient, mystic and subconscious: the fourth, fifth, and infinite worlds beyond. These must surely have been the sounds ancient cultures rehearsed while the continental plates shifted below them.” -Muze (about Steve’s mid-90′s releases) The world of Journey of One is immersed in striking, expansive landscapes and deeply entrenched rhythms permeated throughout by a darker, impending resonance, an exhibition of emerging primordial life teeming below an underbelly of gelatinous rhythms and tumultuous waves of electronics, up through the massive ambience and vast subterranean realms. All of these disparate elements are brought together on the ritual ground that is Journey of One. Roach has performed and recorded hundreds of live concerts worldwide over the years. The performance preserved as Journey of One proves to be an essential timeless moment. Held in an intimate setting in Sacramento, California in 1996, yet sounding like it was recorded today, this concert is presented exactly as it arose, without edits or treatments in the studio. “All of my music is audiobiographical in many ways,” Roach reflects. “It comes from life, from higher arcing desires and dreams joined by the events and moments found in the day-to-day experience of being alive. Through it all, Journey of One is a living record of my time on the creative path that started many years ago. These releases are sign posts at points along the way, the journey of one man rapt in sound.” This release is a stunning testament to the amazing live experience that Roach has developed over the years and a first-hand look at one of the original proponents of the tribal-ambient sound in action.
      released October 1, 2022
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  • PERNICE BROTHERS – WHO WILL YOU BELIEVE CD Brzi pogled
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      PERNICE BROTHERS – WHO WILL YOU BELIEVE CD Brzi pogled
    • PERNICE BROTHERS – WHO WILL YOU BELIEVE CD

    • 23,00 
    • Joe Pernice has been writing for a long time—most of his life, in fact—and has crafted a remarkable catalog that boldly reinterprets and recasts classic American pop. Who Will You Believe may be his most moving and nuanced album yet; it’s certainly his timeliest. “These songs were all written during the same time period,” he says, “and they all seemed to tap into a mood I was in at the time. I go through spells where I’m a certain way for three or four months. I might be more reticent than usual, or more outgoing. With all of my records—and especially with this one—the songs all feel like they belong together, probably because they all arrived during the same stretch of time.” In a single six-month stretch he was left reeling from the deaths of three close friends, including David Berman, poet and songwriter for Silver Jews and Purple Mountains, and Gary Stewart, the Rhino Records co-founder and tireless Pernice Brothers supporter since their first album in 1998. “That was such a bad patch when David and Gary both took their own lives. And my cousin Joe Harvard, who started Fort Apache Studios in Boston and was like a brother to me—he died, too. It was such a tough year. I was thinking about them a lot and watching how divided America had become. I was doing my best to try and take nothing for granted.” Pernice has been releasing albums for over 25 years. And with age comes a greater patience and an immense appreciation for the act of creation. Who Will You Believe showcases a beautiful balance between such sadness and moments of solemnity with warm humor and camaraderie.
      released April 5, 2024
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  • NORTH MISSISSIPPI ALLSTARS – SET SAIL CD Brzi pogled
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      NORTH MISSISSIPPI ALLSTARS – SET SAIL CD Brzi pogled
    • NORTH MISSISSIPPI ALLSTARS – SET SAIL CD

    • 24,00 
    • Luther and Cody Dickinson started the North Mississippi Allstars in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years the lineup shifted by design, and each NMA record offered up a different combination of collaborators. Set Sail finds the brothers working with Jesse Williams on bass and Lamar Williams, Jr. for the first time. Set Sail, the North Mississippi Allstars’ thirteenth album, follows 2019’s Up and Rolling, which was nominated for a Grammy Award for the Best Contemporary Blues Album in 2021. Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. With their latest record, NMA are able to build upon their self-described sound of Primitive Modernism. A melding of the new and the old, traditional and futuristic, crafted lyrics and improvisational music.
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  • MOBY – ALWAYS CENTERED AT NIGHT CD Brzi pogled
  • LAFARGE POKEY – RHUMBA COUNTRY CD Brzi pogled
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      LAFARGE POKEY – RHUMBA COUNTRY CD Brzi pogled
    • LAFARGE POKEY – RHUMBA COUNTRY CD

    • 24,00 
    • After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.
      released May 10, 2024
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  • JARRETT KEITH & BURTON GARY – GARY BURTON & KEITH JARRETT Brzi pogled
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      JARRETT KEITH & BURTON GARY – GARY BURTON & KEITH JARRETT Brzi pogled
    • JARRETT KEITH & BURTON GARY – GARY BURTON & KEITH JARRETT

    • 9,00 
    • When this album was released on 22 February 1971 it had ‘instant classic’ written all over it. Widely influential at the time, the opening track ‘Grow Your Own’ by Keith Jarrett was rearranged for big band by Mike Gibbs to provide the powerful opening to his double album Just Ahead (recorded live at Ronnie Scott's in May/June 1972) while Jarrett's ‘The Raven Speaks’ provided the title track for an album by bandleader Woody Herman (whose band was always stocked with hip young players), also from 1972. On the album Jarrett plays both acoustic and electric piano and soprano sax, which gives it tonal variety as well as a feeling of momentum and discovery. Jarrett shows no sign of inhibition using electric piano – indeed, he plays it with audible joy, contributing to the palpable empathy between him and Burton. A few months prior to the album Burton had asked Jarrett to join his group but as we all know, Jarrett eventually went with Miles Davis, so declined Burton, but he did contribute several originals to the group prompting Burton to say: “Well you may as well come and record some of them with us.” As Jarrett said later, “That was a good time for me, I liked the music on that album. Ensemble's a little ragged sometimes, but I enjoyed the session – we enjoyed the session – and it shows.”
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  • HAMMIL PETER – BEEN ALONE SO LONG CD2 Brzi pogled
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      HAMMIL PETER – BEEN ALONE SO LONG CD2 Brzi pogled
    • HAMMIL PETER – BEEN ALONE SO LONG CD2

    • 33,00 
    • Alongside his participation in the commercially very successful progressive art rock band Van Der Graaf Generator, Briton Peter Hammill began an extremely productive solo career that continues to this day, partly with the support of various VdGG musicians. Hammill enjoyed experimenting with different styles and forms of musical expression that went far beyond the genre of rock music. After years of touring with his K-Group since the early 1980s, Hammill went on an extensive solo tour in 1985, covering 24 cities across Europe, with the motto of the tour: "The Naked Songs". Hammill alone on stage, with his instruments and his songs, he and the audience. Peter remembers: "I was, indeed, trying to strip things right down to their essence, to show and react with the material in its simplest state. The performances were, in a way, turning more into themselves rather than blasting out with bombast." ("I tried to reduce things to their essence, to show and react with the material in its simplest state. In a way, the performances were more self-contained than bombastic.") Now the historic recordings from Radio Bremen, lovingly restored and mastered, are available on CD with great liner notes by the artist in the booklet.
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  • DRIVE BY TRUCKERS – COMPLETE DIRTY SOUTH CD2 Brzi pogled
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      DRIVE BY TRUCKERS – COMPLETE DIRTY SOUTH CD2 Brzi pogled
    • DRIVE BY TRUCKERS – COMPLETE DIRTY SOUTH CD2

    • 34,00 
    • In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. The album features live show staples like, “Tornadoes”, “Where The Devil Don’t Stay” and “Puttin’ People On The Moon” as well as rarities like “Goode’s Field Road” and “Daddy’s Cup.” The Complete Dirty South is a band-led rework of the original album. Principal member, Patterson Hood, took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals. The packaging comes with a perfect bound book featuring liner notes from Patterson Hood, track by track descriptions from Mike Cooley and Jason Isbell as well as never before seen photos along with updated artwork from the late Wes Freed. “This ‘Director’s Cut’ is the way it was always intended to be heard” - Patterson Hood
      released June 16, 2023
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  • BACKWORLD – FOR THE LIFE OF THE WORLD CD Brzi pogled

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